UPCOMING EVENTS
LIGHTIRON
DIGITAL
LA POST PRODUCTION GROUP
APRIL 21ST - HOLLYWOOD
The Los Angeles Post Production Group (LAPPG) is a member driven organization for anyone with an interest in or passion for film finishing and the post-production process. The Group provides a forum for post production professionals interested in learning new skills, tips and tricks, sharing stories and advice, and gaining knowledge in this fascinating field. The supportive community inspires its members to excel in the finishing process of all forms of digital content. The LAPPG is an open membership group and its members dictate what is of interest. Unlike many user groups, The LAPPG is not platform specific and discusses all aspects of post production, from color correcting to red camera workflow, to the latest rotoscoping tools and techniques.
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Sat. Feb 13
Apr. 8 - 12
Feb. 17 - 18
Apr. 21
To addend, please RSVP @ rsvp@lappg.com
RED MX POST PRODUCTION
As more and more productions explore file-based acquisition techniques, the handshake between production and post production is being transformed. The most popular digital cinema file-based acquisition tool, the RED One, is now available with a CMOS sensor upgrade (Mysterium X), effectively improving the RED’s low-light imaging abilities beyond any other cinema-grade motion picture camera system. Coupling amazing new image potential with new RED color science, the RED “MX” gives users the ability to have Epic-quality images at the price and infrastructure of the RED One. And as all manufactures modify digital cinema systems for file-based capture, post production’s migration to maintain a clear handshake becomes more critical.
On April 21st, CEO of LIGHTIRON Digital, Michael Cioni, will be discussing what post production supervisors, editors, and post producers need to consider when dealing with file-based media. This event will include an overview of the new MX sensor, a discussion as to how file-based capture should be treated in preparation for today’s existing offline infrastructure (often tape-based) as well as for digital intermediate mastering, and a screening of new RED MX ultra-low light footage.
